Star Wars : The Force Awakens Movie
Plot Summary
Thirty years after the defeat of the Galactic Empire, the galaxy faces a new threat from the evil Kylo Ren (Adam Driver) and the First Order. When a defector named Finn crash-lands on a desert planet, he meets Rey (Daisy Ridley), a tough scavenger whose droid contains a top-secret map. Together, the young duo joins forces with Han Solo (Harrison Ford) to make sure the Resistance receives the intelligence concerning the whereabouts of Luke Skywalker (Mark Hamill), the last of the Jedi Knights.
The big news about “Star Wars: The Force Awakens” is spoiler alert that it’s good! Despite the
pre-release hype, it won’t save the world, not even Hollywood, but it
seamlessly balances cozy favorites Harrison Ford, ladies and gentlemen and
new kinetic wows, along with some of the niceties that went missing as the
series grew into a phenomenon, most crucially a scale and a sensibility that
are rooted in the human.
It has the usual toy-store-ready gizmos and critters,
but it also has appealingly imperfect men and women whose blunders and
victories, decency and goofiness remind you that a pop mythology like “Star Wars”
needs more than old gods to sustain it.
Much as in the real
world, though, the war has dragged on, and now Luke, Leia and Han have been
succeeded by a charismatic, talented trio played by Oscar Isaac, John Boyega
and Daisy Ridley who look more like the multitudes humankind contains, a
genuine diversity infrequently represented in our movies. Yet while these three
are variations on the original holy trinity, part of what makes them
contemporary isn’t just their skin colors but also the slippery playfulness of
their roles. Mr. Isaac, as a resistance pilot, Poe Dameron, suggests a
next-generation Han, but so does Mr. Boyega as Finn, stormtrooper turned
refusenik. The one seemingly unambiguous note is that the new-school Luke
Skywalker is a young woman, a desert scavenger named Rey (Ms. Ridley), who
shares Luke’s skill set and love of natural fabrics.
That Finn saves Rey and
she saves him in turn isn’t a new dynamic Princess Leia, created in the wake
of second-wave feminism, was always a thoroughly liberated woman, whether
shooting a laser gun or working a metal bikini. Leia is now a resistance
general and played with a muted twinkle and tasteful up-do by Ms. Fisher. Like
Mr. Ford, she has become more of a supporting player in a crowded room that
also includes Adam Driver, who brings intensity and flowing physical grace to
Kylo Ren. Among the strongest creations of Team Abrams, Kylo Ren is a kind of
baby Darth Vader who throws tantrums in inky-black robes while wearing a
leather-and-metal head appliance that looks like a domination mask by way of
the grille of a 1952 Chevy.
As for the story, well,
it’s as simple as ever, with the usual complications and a bestiary of cute,
cuddly and loathsome creatures (humanoid and not) with odd names and habits
that keep this circus jumping. It’s the old war of all against all, with fur
and feathers, snouts and slapstick, and a guest appearance by Oedipus.
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